THE ST. LOUIS GLOBE DEMOCRAT,
1895: "William Lyons, 25, a levee hand, was shot in the abdomen
yesterday evening at 10 o'clock in the saloon of Bill Curtis, at
Eleventh and Morgan Streets, by Lee Sheldon, a carriage driver.
Lyons and Sheldon were friends
and were talking together. Both parties, it seems, had been drinking
and were feeling in exuberant spirits. The discussion drifted to
politics, and an argument was started, the conclusion of which was
that Lyons snatched Sheldon's hat from his head. The latter
indignantly demanded its return. Lyons refused, and Sheldon withdrew
his revolver and shot Lyons in the abdomen. When his victim fell to
the floor Sheldon took his hat from the hand of the wounded man and
coolly walked away. He was subsequently arrested and locked up at
the Chestnut Street Station.
Lyons was taken to the
Dispensary, where his wounds were pronounced serious. Lee Sheldon
is also known as 'Stag' Lee"
FOLLOW UP: Billy Lyons
died from his wounds, and Stag Lee was tried for this killing. The
first trial ended in a hung jury amidst major political controversy.
He was convicted in the second trial, served time, and died in the
nineteen-teens.
THE SONG: This
real-life incident soon became legendary in the South, and moved
into song -- and down the river to New Orleans, where the killer's
name became, variously, Stagolee, Stag-O-Lee, Stackolee or
Stack-A-Lee. The latter was the spelling on one of the earliest
recorded versions by Frank Hutchison in 1927, and on a
Top 10 R&B hit in 1950 performed
in two parts by a New Orleans singer in the Professor Longhair
style.
Born Leon T. Gross, he was
known professionally as Archibald (and sometimes as Archie Boy).
His musical re-telling of the story might have been the end of the
line chart-wise for old Stag, if it weren't for the Korean War.
Fellow Crescent City native
Lloyd Price had an auspicious start on the R&B charts, just two
years after Archibald. He scored six Top 10 hits in one year, from
1952-53, but his success was cut short when he was drafted by the
U.S. Army and sent to Korea. Lloyd wasted no time in forming a
military band, and toured Korean and Japanese bases until his
discharge in 1956. Part of his stage act involved the Lee and Billy
story, as Lloyd recalled: "There were hundreds of lyrics for the old
song, but no story. While entertaining the troops, I had put
together a little play based on it. I'd have soldiers acting out the
story while I sang it.".
When he returned to
civilian clothes, Lloyd resettled in Washington, D.C. There he
joined with an old buddy named Harold Logan to form KRC Records, as
a vehicle to re-launch Lloyd's recording career. His song "Just
Because" immediately put him back in the Top 10 R&B, and crossed
over to pop when the record was released on ABC-Paramount (as part
of their buy-out of KRC).
At this point, Lloyd became
an ABC recording artist, and returned to his New Orleans roots with
a re-write of his old Army skit, this time spelled "Stagger Lee".
In Korea, Lloyd never thought the playlet could be a hit record, and
in fact only intended it as the B-side of "You Need Love". But it
soon became a sensation when deejays discovered "Stagger Lee" on the
flip, at one point selling nearly 200,000 copies a day -- and
rapidly shot to #1 on the pop charts.
But Dick Clark wasn't
pleased with it. Although Lloyd had appeared on American
Bandstand and even Clark's Saturday night show with the
original version, Dick decided to end the violence. The shooting and
blood were too much for his teen TV audience. Lloyd had no choice --
he had to go back into the studio, and record a whole new,
cleaned-up version of the story with -- believe it or not -- a happy
ending! Stagger Lee and Billy actually make up and become friends
again; too bad the real-life Billy Lyons wasn't that lucky!
TOURISTS' NOTE: 911 N.
12th Street, which was "Stag" Lee Sheldon's house, is still
standing, although it was recently boarded up and for sale; it's the
only house remaining on the block (directly across from the St.
Louis Post-Dispatch building).
About 20 years ago, an alderman
named Bruce Sommer ran a restaurant there called the Sommer House --
with live music, including old-time performers Cousin Curtis & the
Cash Rebates, and blues singer Tom Hall. Tom wasn't aware that he
was singing in Stagger Lee's old house.
THE OFFENSIVE LYRICS:
Here are the words that made Dick Clark nervous:
The night was clear and the moon was
yellow
And the leaves came tumbling down
I was standing on the corner when I heard my bulldog bark
He was barkin' at the two men who were gamblin' in the dark
It was Stagger Lee and Billy, two men who gambled late
Stagger Lee threw seven, Billy swore that he threw eight
Stagger Lee told Billy, "I can't let you go with that"
"You have won all my money and my brand new stetson hat"
Stagger Lee started off goin' down that railroad track
He said "I can't get you Billy but don't be here when I come back"
Stagger Lee went home and he got his fourty-four
Said "I'm goin' to the barroom just to pay that debt I owe"
Stagger Lee went to the barroom and he stood across the barroom door
He said "Nobody move" and he pulled his fourty-four
Stagger Lee shot Billy, oh he shot that poor boy so bad
Till the bullet came through Billy and it broke the bartender's
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